Video production has become an essential component of modern-day photography, and the Canon R5 is a powerhouse for shooting video. Whether you’re a professional videographer or an aspiring content creator, having the right video lens is crucial in ensuring you capture high-quality footage. This article will discuss the best video lenses for Canon R5 in 2023 that will take your videography to the next level.
List of top video lenses for Canon R5
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Canon RF50mm F1.2L USM: A premium prime lens with a fast maximum aperture, perfect for low-light situations and producing beautiful bokeh. |
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Canon RF85mm F1.2L USM DS: A high-end portrait lens with Defocus Smoothing for an even creamier background blur. |
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Canon RF100mm F2.8L: A versatile macro lens that delivers stunning detail and clarity in close-up shots. |
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RF 15-35mm F2.8 L is USM: A wide-angle zoom lens with a bright aperture, ideal for landscape and architecture photography. |
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Canon RF 24–240mm F4-6.3 is USM: A versatile all-in-one zoom lens that covers a wide range of focal lengths for various shooting situations. |
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Canon RF 70-200mm F2.8 L is USM: A high-performance telephoto zoom lens with image stabilization, perfect for capturing action and sports photography. |
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A few key factors to consider regarding video lenses include focal length, aperture, image stabilization, and autofocus. A good video lens should have a versatile range of focal lengths to accommodate different shooting situations and a wide gap for low-light performance. Image stabilization is also vital in ensuring smooth and steady footage, while reliable autofocus is essential for keeping your subject in focus as you shoot.
One of the best video lenses for Canon R5 in 2023 is the Canon RF 24-70mm f/2.8L IS USM. This lens offers a versatile range of focal lengths and a fast aperture, making it perfect for shooting in various lighting conditions. Its image stabilization system and fast autofocus also ensure smooth and steady footage.
Another excellent option for video production is the Canon RF 70-200mm f/2.8L IS USM. This lens offers a more extended focal length range, perfect for capturing distant subjects or shooting in a tight space. Its fast aperture and image stabilization also make it ideal for shooting in low-light conditions.
For vloggers and content creators, the Canon RF 35mm f/1.8 IS STM Macro is an excellent choice. This compact lens offers a wide aperture and macro capabilities, perfect for shooting detailed close-ups and portraits. Its image stabilization system also ensures smooth and steady footage, while the STM autofocus provides silent and smooth focusing.
In conclusion, investing in a quality video lens for your Canon R5 can significantly enhance the quality of your video production. Many options are available, from versatile zoom lenses to compact primes to suit your specific videography needs. So, whether you’re shooting weddings, documentaries, or vlogs, these lenses will help you capture high-quality footage that tells your story in the best possible way. Let’s get into the detail of the best Video lenses for Canon R5.
1. Canon RF 50mm F1.2L USM
The Canon RF 50mm F1.2L USM is a high-performance prime lens designed for Canon’s full-frame mirrorless cameras. It features a wide maximum aperture of f/1.2, allowing for impressive low-light performance and shallow depth-of-field effects.
This lens also incorporates Canon’s Air Sphere Coating (ASC) to reduce flare and ghosting and a fast and accurate autofocus system. As a result, it is a versatile lens that can be used for portraits, weddings, and other events where image quality and low-light performance are essential.
Pros | Cons |
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Fast maximum aperture of f/1.2 | Expensive |
Excellent image quality and sharpness | Heavy and bulky |
Weather-sealed construction | Focus shift issue |
Smooth and quiet autofocus | Limited focus distance |
Excellent bokeh and depth of field control |
2. Canon RF 85mm F1.2L USM DS
The Canon RF 85mm F1.2L USM DS is a premium portrait lens designed for Canon’s full-frame mirrorless cameras. It features a wide maximum aperture of f/1.2 and Canon’s Defocus Smoothing (DS) technology, creating a soft and creamy bokeh effect in the image’s out-of-focus areas.
In addition, this lens also incorporates Canon’s Air Sphere Coating (ASC) to reduce flare and ghosting and a fast and accurate autofocus system. As a result, it is an ideal lens for professional portrait photographers looking to create stunning, high-quality images.
Pros | Cons |
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Fast maximum aperture of f/1.2 | Very expensive |
Excellent image quality and sharpness | Heavy and bulky |
Defocus Smoothing coating for smoother bokeh | Focus shift issue |
Weather-sealed construction | Limited focus distance |
Smooth and quiet autofocus |
3. Canon RF 100MM F2.8L MACRO IS USM
The Canon RF 100mm F2.8L Macro IS USM is a versatile macro lens designed for Canon’s full-frame mirrorless cameras. It features a maximum magnification of 1.4x and a wide maximum aperture of f/2.8, allowing for impressive low-light performance and shallow depth-of-field effects.
This lens also incorporates Canon’s Hybrid Image Stabilization (IS) technology to provide up to 5 stops of image stabilization, making it ideal for handheld macro photography. In addition, it is a perfect lens for nature and macro photographers looking to capture stunning, detailed images.
Pros | Cons |
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Excellent image quality and sharpness | Expensive |
1.4x magnification with excellent macro capability | Heavy |
Hybrid Image Stabilization system | Limited focus distance |
Weather-sealed construction | Slow autofocus in low light |
Fast and quiet autofocus |
4. Canon RF 15-35mm F2.8L IS USM
The Canon RF 15-35mm F2.8L IS USM is a wide-angle zoom lens for Canon’s full-frame mirrorless cameras. It features a wide maximum aperture of f/2.8 and Canon’s Image Stabilization (IS) technology, providing up to 5 stops of image stabilization.
This lens also incorporates Canon’s Air Sphere Coating (ASC) to reduce flare and ghosting and a fast and accurate autofocus system. As a result, it is a versatile lens that can be used for landscape photography, architectural photography, and other applications where wide-angle perspectives are essential.
Pros | Cons |
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Fast maximum aperture of f/2.8 | Expensive |
Excellent image quality and sharpness | Heavy and bulky |
Effective image stabilization | Vignetting at wide end |
Weather-sealed construction | Some distortion at wide end |
Fast and quiet autofocus |
5. Canon RF 24-240mm F4-6.3 IS USM
The Canon RF 24-240mm F4-6.3 IS USM is a versatile all-in-one zoom lens designed for Canon R5 users who need a lens that can handle a wide range of shooting situations. This lens offers a 10x zoom range, from wide-angle to telephoto, making it an ideal choice for video creators who must capture wide establishing shots and close-up details. The lens also features a fast, smooth, and quiet autofocus system, making it suitable for video recording without the distracting noise of lens movement.
The lens’s optical design includes one ultra-low dispersion (UD) element and several aspherical elements, which help to minimize chromatic aberrations and distortions for sharp, clear, and accurate image and video quality. The lens also features Optical Image Stabilization (OIS) technology that reduces camera shake and helps create stable and smooth footage even when filming handheld. The lens also has a zoom lock lever that prevents it from accidentally extending when it’s not in use.
Pros | Cons |
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Versatile zoom range from wide-angle to telephoto | Variable maximum aperture |
Effective image stabilization | Softness at full zoom range |
Compact and lightweight design | Some distortion at the wide end |
Weather-sealed construction | Slower autofocus in low light |
Affordable price point |
6. Canon RF 70-200mm F2.8L IS USM
The Canon RF 70-200mm F2.8L IS USM is a professional-grade telephoto zoom lens designed for Canon R5 users who must capture high-quality footage of distant subjects. This lens features a fast and bright maximum aperture of f/2.8 throughout its zoom range, making it ideal for shooting in low light conditions and achieving shallow depth of field effects for creative video shots.
The lens’s optical design includes one Super UD element and four UD elements that help to minimize chromatic aberrations and distortions for sharp, clear, and accurate image and video quality. The lens also features Optical Image Stabilization (OIS) technology that reduces camera shake and helps create stable and smooth footage even when filming handheld. The lens is also equipped with a Dual Nano USM autofocus system that provides fast, accurate, and near-silent focusing performance, making it suitable for shooting video.
Pros | Cons |
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Fast maximum aperture of f/2.8 | Very expensive |
Excellent image quality and sharpness | Heavy and bulky |
Effective image stabilization | No built-in tripod collar |
Weather-sealed construction | Limited focus distance at close range |
Fast and quiet autofocus |
Read:
- Best Lenses for Canon R5
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- Best Ultra Wide Angle Prime Lenses for Canon R5
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- Best Wide Angle Prime Lenses for Canon R5
- Best Macro Lenses for Canon R5
- Best Telephoto Prime Lenses for Canon R5
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